Atomos | Shogun 7 Classic | Kit

Perfect exposure and color. Fine tune every detail, while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.
With Shogun Classic’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. Shogun Classic gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.
Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.

Multi-camera touchscreen switching
Take full advantage of 4 x SDI inputs and let Shogun Classic step into the role of a portable, quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen.
Shogun Classic can also record a fifth ‘program’ channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.

At home on practically any camera
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.

HDR monitoring for clients and creatives
With Shogun Classic you can view what you’ve captured before filming has even wrapped. Deliver content via live HDMI out, in real-time, from any HDR camera to a compatible HDR TV or monitor. Shogun Classic ensures you see an accurate representation of your video at maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.

Physical
Dimensions (W x H x D mm): 214mm x 127mm x 45mm / 8.43” x 5.00” x 1.77”
Weight: 738g / 26oz
Mounting Points: 1/4”-20 screw mount. 1x top and 1x bottom

Environmental
Ambient operating temperature: Up to 40 Degrees Celsius

Construction
Body: Glass fiber reinforced polycarbonate
Cooling: Heat Sink + Actively controlled Fan
Touch Screen: Capacitive Touch

Power
Input Voltage: 6.2V to 16.8V
Compatible Batteries: 2x NP-F / L-Series batteries and supporting accessories
DC in Connector: 1 x DC in (6.2 - 16.8V)

Display
Display Panel: IPS panel (capacitive touch)
Size: 7.2"
Resolution: 1920 x 1200 (1920 x 1080 Image Display)
PPI: 325
Bit Depth: 10-Bit (8+2 FRC)
Backlight Type: Zone Backlight (Full-Array Local Dimming)
Brightness (cd/m² / nits): 3000nit (+/- 10%)
Aspect ratio: 16:10 native resolution 1920 x 1200
Color Gamut: Up to Wide color gamut (105% DCI-P3)
Calibration Support: ATOMOS Calibrator with Display Pro HL and Display Plus HL

Color Pipeline
Gamma: Sony SLog/SLog2/SLog3, Canon CLog/CLog2/CLog3, ARRI Log CEI160/Log CEI200/Log CEI250/Log CEI320/Log CEI400/Log CEI500/Log CEI640/Log CEI800/Log CEI1000/Log CEI1280/Log CEI1600, Panasonic Vlog, JVC JLog1, RED Log3G10/RED LogFilm, FujiFilm F-log, Nikon N-Log, PQ10k, HLG
Gamut: Sony SGamut/SGamut3/SGamut3.cine, Canon Cinema/DCI P3/DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709/BT.2020, JVC, RED WideGamut/RED DragonColor/DragonColor2/RED Color2/RED Color3/RED Color4
3D LUT Display: 3D LUT (.cube format)
Monitoring Modes:Native / 709 / HLG / PQ / 3D LUT
HDR Output Conversion: Camera Log to HLG / PQ

Color Management
Calibration: Atomos Calibrator with Display Pro HL and Display Plus HL
AtomHDR: Yes
3D LUTs: Yes
Legalize: Full to Legal Range Conversion available via Input Menu

Video Input
HDMI: HDMI 1 x HDMI (2.0)
SDI: Quad-Link 3G SDI with 2 x 12G SDI (backwards compatible)
Bit Depth: 8/10-Bit for Video
Video Chroma Subsampling: YCbCr 4:2:0 & 4:2:2
HDR: HDMI Auto Detection

Video Output
HDMI: 1 x HDMI (2.0)
SDI Loop / Play Out: 2 x 12G SDI (backwards compatible)
HDR: Yes with auto detection

Video Signal Conversion
HDMI to SDI: Supported
SDI to HDMI: Supported

Audio In/Out
Audio Quality: 24-Bit / 48kHz
Audio Codec: PCM
HDMI: 2 or 8ch 24-Bit, Input dependent
SDI: 12ch 48kHz 24-Bit
Analog Audio In: Via optional 2 in 2 out XLR cable
Analogue Audio Out / Headphone Jack: 3.5mm Jack
Audio Input Delay: Frame Delay on Analog Input (applied to recorded files)

Timecode / Sync
HDMI Embedded: Supported
SDI Embedded: Supported
Time of Day: Supported
LTC: via full-sized BNC SYNC Port
Wireless SYNC: Connect an Atomos UltraSync One to the full-sized BNC SYNC Port

Resolution and Frame Rates (Record, Monitor & Playback)
4K DCI: up to 4Kp60
4K UHD: up to UHDp60 via HDMI and SDI
2K DCI 2048 x 1080: up to 2Kp60 via SDI
FHD 1920 x 1080 Progressive: up to 1080p120 via SDI
FHD 1920 x 1080 PsF: Only via Pulldown to Progressive
FHD 1920 x 1080 Interlaced: 1080i50 / 1080i60 via HDMI or SDI
1280 x 720p: up to 720p60

Recording Codecs
Apple ProRes: HQ, 422, LT
Avid DNxHD: 220x, 220, 145, 36 (.MOV Wrapper)
Avid DNxHR: HQX, HQ, SQ, LB (.MOV Wrapper)

Recording Functions
Pre-roll Recording: 8s HD / 4K 2s
Timelapse: Supported

Playback
Playlist: Selected Clips, Favorites, or Combined
Loop: Supported, with user-customizable In / Out Markers
Apple ProRes: HQ, 422, LT (Linear PCM Audio only)
Avid DNx: DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)

Supported Media
Master Caddy I: Not Supported
Master Caddy II: Supported
Master Caddy III: Supported
SSDmini: Supported
File System: exFAT
Interface: SATA 3.0

On-Screen Tools
Waveform: 3 Sizes – Adjustable Opacity & Brightness
RGB Parade: 3 Sizes – Adjustable Opacity & Brightness
Vector Scope: 2 Sizes – Adjustable Opacity & Brightness
1 x Zoom: Tap to Zoom
2 x Zoom: Tap to Zoom
Focus Peaking: 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
Zebra: Adjustable Threshold (50% to 105%)
Isolate Color Channel: Blue Only
Cine Frame Guides: 6 Presets
Social Frame Guides: 4 Presets
Safe Areas: SMPTE Safe Title Area – 93% & 90%
Grid Markers: 9 Grid
Anamorphic Desqueeze: 2x, 1.8x, 1.6x, 1.5x, 1.33x, 1.25x
Display Flip: Vertical
Colorized Exposure: Atomos False Color

Onboard Signal Processing
4K UHD Downscale for HD: Loop-out and playback
DCI Crop: Available on loop out
Interlaced to Progressive: 2:2 & 3:2 Pulldown
PsF to Progressive: 2:2 & 3:2 Pulldown

Remote Control
HDMI: Auto HDMI Trigger Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard
SDI: SDI trigger camera selectable
Serial 2.5mm Jack: Start & Stop Recording via compatible LANC Remotes

Cut & Tag
FCP XML: Up to 10 Tags supported for each Clip

Supported Applications
XML: Apple Final Cut Pro (.fcpxml)
Video Codecs: All NLE applications that support Apple ProRes and Avid DNx in an .MOV Wrapper